But if you want SPECIFIC tailored performance, than RPPs, Cookes, or Ultraprimes are probably a better choice (for many times the budget). So far I had been using adapters on them, and they sucked. I almost went for the wrong one with my MM obsession, but I was warned by my followers on Instagram about the edge the AE had over the MM. I'm sure its just due to copy variation and the years its weathered but pretty disappointing. Landmine Media, LLC.
KOMODO + Canon FD or Contax Zeiss + Focal Reducer Favorite Zeiss Lens? : GH5 - Reddit Time. When designing your focus gears, keep the number of teeth constant for all the lenses. It was the most expensive lens in the set and it shares a lot of the beautiful look of the 28/2 Hollywood. comments sorted by Best Top New Controversial Q&A Add a Comment . Ron also offers the full mod service for great prices, including focus gears and lens mounts. Heres the answer to all of this, broken down. This is an endeavor Ive been working on and off for the last two years and now I can see the finish line. Heres a little short-hand: ". I then redesigned and printed new focus gears for these and ordered more Leitax mounts and that was good for another five months. This page was generated at 05:50 PM. The two specialty lenses the 15/3.5 super wide and 60/2.8 macro go on the smaller 904 case. May be one of the sharpest Contax primes ever made. For further details, see our Privacy Policy. Wide open, Contax glass seems as mushy as Supers. Because the wides are slow, you will almost certainly need to compliment your kit with a Tokina/Duclos 11-16 2.8. I'm not too sure where they got their findings, but apparently this was a series of tests possibly published on Zeiss's website. My attempt to be as thorough as possible! I returned to the guide and started eBay hunting. Momentum picked up and I saw myself getting ready to DP a webseries pilot. You can tell them apart because MM have their last aperture number painted green, and they have a small tab on the mount that doesnt exist on AEs. In this buying guide we've rounded-up several great cameras for shooting sports and action, and recommended the best. The 21/2.8 was a must. Over the years, Zeiss has added new, fantastic designs, this can not be overlooked. ZF/ZEs only go as far as 135mm. . My favorite lens switched to the 85/1.4 after that, though. Collapse. For those not wanting to go the 'pro' Cine-Mod route, you can do it yourself with decent results. To check if I did it, just follow me on Instagram as I post all my lens experiments there! People (me included) didn't like the poor performance of the Canon EF wide lenses and the 21mm and 28mm 2.8 Contax lenses filled the gap. The 18mm is almost one fourth of the price and half the weight of the 15mm, plus it fits along with the other MMJs in the set. The 135mm f/2.8 was a great lens. Leitax mount on the left, original Contax/Yashica mount on the right. You can unsubscribe at any time via an unsubscribe link included in every newsletter. The original CONTAX RTS was introduced in ,highly advanced electronic SLR system camera developed by mutual cooperation of Carl Zeiss, West Germany, and Yashica, Japan. I started using these lenses casually. The main difference being that a normal human can afford Contax Zeiss but not Leicas. If you wanna follow this path, theres no way to dodge reading the Survival Guide. Filter. E) They are very easy to cinemod. So far I had been using adapters on them, and they sucked. thanks for the info! Your 50/1.7 is an AE lens, based on it's serial number and lack of green last numbersince made in Japan, it is an AEJ. Anyone who tells you otherwise is full of shit. Ron also offers the full mod service for great prices, including focus gears and lens mounts. Another trick is to heat them up with a blow dryer or even your house heater. Take or leave it. There is a lot of good information about which lenses were improved optically between the earlier AE and later MM versions, as well as lots of user comments. I repeated the technique for the rear caps, this time with only the focal length written on them. Super Speeds and Standards for cinema. ----------------------------------------------------------. It had five lenses: 28/2.8, 35/2.8, 50/1.4, 85/1.4 and 135/2.8. Fuck!). Next up was the 35mm, two stops faster at f/1.4. Zeiss AE lens information I found a link to this awesome Zeiss Contax lens brochure, dated October 1975 (12 MB). The Soviets were good enough for my own projects, but I needed something more reliable on this one. Oh and I believe that where the results are for "Real Aperture" in those tests may actually be the measured T-Stop? For further details, see our Privacy Policy. Theyre killer tools for video, but in order to achieve maximum performance, theres a number of steps and procedures to tackle. This turns the original C/Y mount into a solid EF mount that wont budge for nothing. This is an endeavor Ive been working on and off for the last two years and now I can see the finish line. Well done mate. The lenses were made in two generations. Contax Zeiss 60mm f/2.8 Macro AEG: Infinity focus on the left, minimum focus on the right. Lastly, just for curiositys sake, Carl Zeiss has a specific nomenclature for his lens designs and you can see some of them written on the ID ring of these Contax Zeiss lenses. It's cheapass ones I got from China. In fact, they MOD better than ZF/ZEs believe it or not. Copyright 2007-2022. The last decision I had to make was between the 18mm f/4 and the 15mm f/3.5. You have a wide range of lenses to pick from and equally different price tags. I got all my standard 80mm fronts from him, as well as slip-on lens caps. I prefer the FOV of a 25, but for the budget.the 28mm is amazing. The 'Contax craze' is 15 years old and dates back to the introduction of the Canon 5D which was the first affordable full frame sensor. Every time I had to pick a lens I went for the 35mm f/2.8 instead. At this point the price argument was adding a lot of weight. Originally launched in 1932 as a rangefinder system to compete with - you guessed it. That was probably one of the most stressful experiences of my life with lenses. It's more like the image jumps! Yes, it's one step slower than the its siblings, but it definitely crushes them with razor sharp focus and a beautiful transition into bokeh. It was a time when I didnt shoot much, but I went on long bike rides. As a reference, my main set of lenses at this time was a Soviet kit that I put together because of their imperfections and organic look. Great post about contax! Could it be that yours was bumped once in it's lifetime, if it's not the adapter? Contax Zeiss Survival Guide - REDUSER.net Evin Grant's comprehensive lens database Login or Sign Up Logging in. Search. AE lenses also show ninja-star bokeh when stopped down, which is a major turnoff for some folks. Otherwise, the transition from AE was meant to be seamless. For declicking, I read a lot of posts from people saying its a super easy process on Contax Zeiss lenses, but I didnt have the guts for it. In my experience, the gears never fit on the first try. The 60/2.8 AE can do 1:1 magnification, while the MM can only reach 1:2. In my previous buyers guide Ive shown you how to build a Zeiss Jena Mini-Cine set for $1000, but if you have a bit more money to spend then ContaxZeiss is the way togo! A) They are FULL FRAME and will cover Dragon, and it would seam, even VISTA VISION WEAPON. Or get a Duclos/Tokina 11-16. After I got the five Contax I went to look for more info and found Nick Morrisons Contax Zeiss Survival Guide at REDUser. Informative and equally hilarious in parts :) I'm sure it will prove a resource for many many people over the years. It had five lenses: 28/2.8, 35/2.8, 50/1.4, 85/1.4 and 135/2.8. So all you do is get a Cine Ring with the rear thread of your lens and thats gonna make it standard! Im gonna stop saying these lenses are sharp, because at this point its just standard! That's what I'm thinking, though no official sources have been cited on the tests, it may have been pulled from articles or done independently, not sure. I know a bunch of photo magazines back in the 90's and early 2000's did comprehensive tests and reviews of Contax, I wonder if they lifted the numbers from one of those?
In this buying guide weve rounded up all the current interchangeable lens cameras costing around $2000 and recommended the best. The 21/2.8 was a must. Still on the DIY train, a friend and I had just bought a 3d-printer, so I started making my own focus gears. Zeiss and Yashica lenses are all in all rumored to be better, but are much more expensive. They are also a little sloppy on the mount, which can be alarming. Time. How can i get those lenses from you? These are creative tools, use them as such. I like to add 0.3mm to the measurement to give me a little wiggle room after printing. I was just ahead of the game, so it wasnt necessary on my case. You can use the code CINE at check out for a nifty discount! Its the one I always took with me and it gave me gorgeous shots. After that, B&H and ADORAMA are great choices. Its also a big change in size and weight, almost doubling its predecessor. These are way more common in AE, but I was lucky enough to find a MM coming straight from Japan. It was not a problem as a starter set. Im from Bangladesh. On almost all shoots weve done with Contax lenses, where we have used other glass, be it Leica Rs or Canon EOS, every time the DP has noticed that the waveforms jump. Does not come with any adapter. Im still weighing if I need it or not. For that reason I had to make a super tall focus gear that would not slip off when travelling from infinity to minimum focus. These I ordered from MOO, because they offered me more variety at a much lower price. length (call Peter at RP lens, he can help), but if you can get them on your RED, they are also fantastic budget options. Really haven't tested it enough, but the color rendering of the 85mm f2.8 really seems to have some special magic. http://www.pebbleplace.com/Personal/Contax_db.html, QuineCore Question - how to solve your production woes, If this is your first visit, be sure to
However, the optical quality of the Contaxs is certainly very close to ZF/ZEs and many of the designs appear to have only subtly changed over the years, in particular the 21 2.8, 34 1.4, 50 1.4, and 85 1.4. Fast continuous shooting, reliable autofocus and great battery life are just three of the most important factors. If anyone wants seven of the best Zeiss lenses ever made, PM me. Yes, its one step slower than the its siblings, but it definitely crushes them with razor sharp focus and a beautiful transition into bokeh. Theyre much cheaper than modern lenses, yet share similar designs and performance. . Because they focus the right way (ZFs do not, they are Nikon-oriented and focus backwards) and have an aperture ring (ZEs dont have one, as they are EOS-designed and have a digital iris controlled by the camera). The issue that came up from was the stickers were having a hard time sticking to the material of the lens caps and were peeling off on their own. You have to admit they look sexy.
Contax Zeiss Survival Guide - REDUSER.net Th 85 1.4 at an F2 for portraitsis KILLER. Reduserforum "Contax Survival Guide" says is a good one.
Contax rangefinder - Camera-wiki.org - The free camera encyclopedia (Heres where I beleive the Leica Rs have a clear advantage, their 19mm is a 2.8which is pretty amazing). Distance between first and last lens vertex: 33.6 mm 51.8 mm Weight: approx. Whereas Contax is an F4 at 18mm, and 2.8 at 25mm. The last thing I did was add step rings to normalize all their fronts at 58mm, to make my life easier when swapping NDs and other filters or anamorphic adapters in my case. In fact, at 5.6 Contax, Supers and Standards looked IDENTICAL. Building this set was a great experience throughout. It was released in 1932. However, I wont argue that having a lens that says Made In West Germany is wicked cool.
The optics in these Zeiss are very similar, if not the same as the current Zeiss still lenses, a different coating on the glass is the main difference. Theres a lot of discussion whether the 135mm f/2.0 has a clear advantage over the f/2.8, especially when you take into account the price difference. Quite remarkable sharpness at F2.8 for such a small and cheap lens. Also the low-con coating does give you more latitude. Besides Leica Rs, also give Nikkors (obviously), Canon FDs, and Minolta Rokkors a good look. The lenses were made in two generations. Thank you! I also added the f-stop for each lens and its minimum focus in meters and feet. AgThunderbird A7Riii | A7ii infrared mod | Minolta 7 .
Contax / Zeiss Planar 100mm f2 (A7ii + X-T1) - FujiX-Forum This was a game changer. Copyright 2007-2022. I shipped all of them to SIMMOD for declicking and a quick checkup. If youre not a DIY spirited person or you dont like getting things from a million different places -, I worked with Ron at SIMMOD so he can provide caps with stickers already on them. Above $2500 cameras tend to become increasingly specialized, making it difficult to select a 'best' option. It doesnt really ever pop up on my 25 2.8, 28 f2, 50 1.4, or 135 2.8. They have a pleasing organic rendering that is not dissimilar to Contax. THE CONTAX LENS GUIDE - 2015 EDITION The most up-to-date guide to almost every Contax lens ever made. The screws on the back of the lenses are tiny, and if you strip them, you cant get the new mount into place. The bokeh behaves differently than with Sonnars and Planars and I find these can give the image an interesting look. Thats NOT to say all the designs are the same. We've been putting it through its paces. Related Topics . Zeiss AE lens information brochure, "The Finest Optics by Zeiss", Wide open, the 35 1.4 and 85 1.4 are fine (circular bokeh). I also added the f-stop for each lens and its minimum focus in meters and feet. This page was generated at 05:50 PM. I get asked lots of questions. In fact, i'm almost considering selling my 85mm f1.4 for that reason. The process turned out alright and the gears worked great, but later on I learned some useful tricks. Impressive performance and also the fastest 35mm I ever owned. Lets go back to the 70s. The f/2.8 never really impressed me, even though its regarded as one of the best budget 28mm out there. I was not impressed, so I decided to make my own. To summarize, yeahthey look remarkably similar. Wide open it's one of the sharpest F2.0 wide angle lenses available and it has very little distortion. If you are referring to breathing, there is some, but less than in many other still lenses. This is another trick to make lens swaps faster, since you wont need to adjust your follow focus back and forth on the rig.
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